We hope you can join us for a poetry evening in Tunbridge Wells at the Oxfam Bookshop in Chapel Place, on Wednesday, August 27th. at 7.00 p.m. A chance for the last of the summer wine – and the last time we were there, it was warm and sunny, with people spilling out onto the pavements. The theme for the evening, appropriately, is WORDS ….
On Tuesday evening, July 15th., members of the Kent and Sussex Poetry Society read poems they had written in relation to the exhibition taking place until 23 August in the Mascalls Gallery, Paddock Wood. There was an excellent turnout, and we were joined by the duo “The Cruel Mothers” who provided song and music to vary the evening. Many took the opportunity during the interval to enjoy the beautiful etchings in the exhibition, while others made the most of the balmy weather to have a glass of wine in the open air outside the gallery. A cultural delight.
The Cruel Mothers
Join us at Mascalls Gallery, Paddock Wood, for art, poetry and wine on Tuesday 15 July. The theme is ‘Art and Landscape’. 8 – 10pm.
Members of the Society will be reading their poems in relation to the exhibition “Discovering Palmer’s Kent”, which focuses on the work of Samuel Palmer, Graham Sutherland and Paul Drury. There will also be a spot for readers from the floor.
The exhibition includes a previously unknown Sutherland etching, as well as a group of his early etchings, and the first showing of sketches, plates and prints of unfinished work by Paul Drury. Samuel Palmer himself, of course, is also featured.
Join in, or simply relax and listen with a glass of wine. There is no charge for this event.
Congratulations to Sue Wicks, a member and committee member of our society. She is this year’s winner of the Oxford-Weidenfeld Translation Prize for her translation of Valérie Rouzeau’s Talking Vrouz (Arc publications).
The judges said:
Talking Vrouz is a wonderfully inventive and yet faithful translation of poems which are already at an oblique angle to their own language (French). Susan Wicks renders a unique poetic voice, with all its eccentricities and privacies, into a matching English. The translation is exact, inventive and full of life, and offers readers something new and startling in English poetry.
The Prize was awarded at an event at St Anne’s College, Oxford, at which the shortlisted translators read from and discussed their work. This was the crowning event of Oxford Translation Day, a festival of talks, readings and workshops staged in collaboration with Oxford Comparative Criticism and Translation, English PEN, the Poetry Translation Centre, the Oxford German Network, the East Oxford Community Classics Centre and the Oxford Research Centre for the Humanities.
This year’s judges of the Oxford-Weidenfeld Translation Prize are the academics and writers Jonathan Katz, Adriana Jacobs, Patrick McGuinness and Matthew Reynolds (Chair).
Charles Bainbridge freed us from the constraints of the current British scene with his entertaining and informative talk on Frank o’Hara at our June meeting in the Camden Centre, Tunbridge Wells. It is a long time since we opened our ears to poetry from outside the UK, so it was refreshing to recharge the batteries for our own writing and to be enthused about a style so different, with flamboyant self-portraits, mock melodrama, the enjoyment of role-play and silliness, including mockery of English aristocratic posturing in the early poems. After receiving the Hopgood Prize for poetry, Charles told us, o’Hara’s style changed. He stayed wild, chaotic, sarcastic and violent, yet also evidenced Romanticisim. His poetry remained idosyncratic, but developed in later years, with a controlled depth of voice and phrases that reach out to include us all.
John Greening entertained us on May 20 at the Camden Centre. In addition to reading from his own poetry, he announced the Folio poets for this year’s collection, and the winner this year is our chairman, Clive Eastwood, so congratulations to him. John has also given very helpful feedback to all entrants to the competition. He believes that all good poetry emerges from reading, and enjoys “listening” to a poem first, to feel its music. He also enjoys the interplay between line breaks and syntax, and “unusual diction” which nonetheless emerges naturally.
The Keith Francis Bowl is Clive’s for the year 2014-2015.
The Folio will be available in July, at a cost of £3, and will also contain the prizewinning poems from our Open Competition, and Pascale Petit’s adjudication report.